"Bailando" has rocked other Latino hubs like New York and Los Angeles. "Bailando" would survive the leap from the Latin market to the American market, but producers added a rap by Sean Paul - just to be safe. It got a ton of airtime and it scored high on Shazam and iTunes.īased on that success, Republic Records guessed that "Bailando" crept into American markets last February, by way of Latin radio stations in Miami. 1 hit on theīillboard Hot 100 chart for 14 weeks," he says. "As much as people might chuckle at that song now, it was a No.
La Tortura" in 2005, and going back even further, " It just doesn't happen very often - "occasionally," Trust says.
"It's romantic, it's sensual I think addictive is actually a perfect word to use for how the song totally comes together," Trust tells NPR's Arun Rath. Spanglish version of the song that broke into the American pop charts 21 weeks later, it isīillboard's associate director of charts/radio, says Iglesias toldīillboard that he thinks there's something "addictive" about the song. It was named Winning Song at the 2012 BMI Latin Awards, hit the Top 10 on both sides of the Atlantic, and topped the stateside club charts.If you've been listening to American pop radio in the past five months or so, you likely heard Spanish singer Enrique Iglesias' hit song This RedOne electro-pop classic was a huge hit in 2010 and contains a nod to Lionel Richie’s “All Night Long (All Night)” as part of a frenetic monster mash-up. Mixing languages for the first time on Euphoria, the Spanish and English blend of tracks on a single album was a sign of Enrique’s growing confidence that he could satisfy and develop both markets at the same time. And that tension we were talking about? There’s a choice turn of phrase on an alternative cut that seems more in-step, but make sure there’s no one of a sensitive disposition in earshot… With rapper Ludacris joining him on the video, the mix paid dividends with a return to the US Top 10 and strong sales worldwide. One of Enrique’s biggest hits of the 2010s, the tension between the song’s erotic charge and what radio programmers would be happy to play is palpable in this urgent dance track. 5: Tonight (I’m Lovin’ You) (featuring Ludacris & DJ Frank E)
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